Ask a Gallery Owner: Should Galleries Get 50% on Commissioned Art Projects?

I recently received the following question from an artist:

What is a reasonable split on commissioned work? I’m all for the gallery receiving 50% on work in their regular inventory, as it takes up wall space and has likely been shown to several potential buyers and marketed by the gallery as well. However, I wonder if 50% to the gallery is justified on a commission, especially in the case where the artist has been put in direct contact with the buyer and essentially does all the leg work (apart from the initial introduction).

Considering that a commission project does not take up gallery “real estate” and also the artist has the burden in materials cost and production time (not to mention risk in some cases), the artist will actually make less money on the project than the gallery if the split is a 50/50. As a former gallery employee I have seen commission splits as 50/50, 60/40 and even 70/30. My personal opinion is that a 70/30 may be a bit lopsided in favor of the artist (unless you’re a high end portrait artist and the split to the gallery is more of a referral fee so to speak), but 50/50 doesn’t seem quite right to me either, again, especially if the artist is doing all the legwork. Your insight would be appreciated!

Name Withheld by Request


 My response

Great question. We do ask 50% for commissioned work, but I feel we can justify it because we stay very involved in the process. Rather than just handing off the client to the artist we act as facilitators, scheduling phone calls and meetings, passing along photos and taking care of all of the financial dealings. My artists tell me they appreciate this because it takes away a lot of the pressure and makes the process easier for them. If there are any problems the client is passing them along to us instead of the artist and we can moderate the resolution.

Granted, a lot of galleries do less on commissions and still expect the 50%. In those cases it comes down to what you can come to terms on. If a gallery is a good sales producer for you and you value the relationship, it may still be worth the 50% to help sustain the ongoing representation.


What Do You Think?

Do your galleries ask 50% on commissioned work generated through the gallery? Do you feel they deserve the full fee on commissioned work? Share your thoughts, comments and experiences in the comments below.


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