Credit-Card Fees: A Small Price for Big Sales

It’s easy to bristle at the 2.5%–3.5% that credit card companies skim off the top of every sale. When you’re selling high-value artwork, those percentages add up quickly—and I understand the frustration. But if you want to make consistent sales in today’s market, accepting cards isn’t optional. It’s essential.

Collectors expect a seamless payment experience. The easier you make it for someone to say “yes,” the more likely they are to do so. If you’re hesitating to accept credit cards because of the fees, it’s time to reframe that cost as an investment—not a loss.

Here’s how to think about card processing as part of your business strategy—and how to guide your buyers toward the payment method that works best for both of you.


Why Accepting Credit Cards Is Non-Negotiable

Today’s buyers are accustomed to using credit cards—and often prefer it, even for large purchases. Many use rewards cards to earn points, cash back, or travel perks, and they’re motivated to put as many purchases as possible on those accounts.

If you’re only accepting cash, checks, or bank transfers, you’re introducing unnecessary friction. And friction kills sales.

The goal in any sales situation—whether it’s in person, online, or at a show—is to make the purchase as easy as possible. That means you need to be set up to accept whatever method the buyer prefers. If that means paying a small percentage for a credit card transaction to close a $2,000 sale, it’s a price well worth paying.


Typical Fees and How to Budget for Them

Most card-processing services charge between 2.5% and 3.5% per transaction, with some slight variations depending on the provider, card type, and whether it’s a swiped, tapped, or keyed-in transaction.

For budgeting, you can safely assume a 3% processing fee on any credit card sale. Build that cost into your pricing structure from the start. If your margins can’t absorb a 3% fee, it’s probably time to revisit your pricing more broadly—not just your payment methods.

Think of it this way: if a gallery takes 50% commission, and you pay 3% on the remaining half of the sale, that’s less than 2% of the total retail price. It’s a tiny cost for the convenience and security that card payments provide.


Comparing Payment Platforms: Pros, Cons & Hold Periods

Here’s a quick breakdown of the most common platforms artists use to process payments:

Square

  • Pros: Easy to use, clean interface, integrates with mobile devices, reliable hardware.

  • Cons: Slightly higher fees on manually entered transactions.

  • Hold time: Funds typically deposited within 1–2 business days.

PayPal / Zettle (PayPal’s card reader)

  • Pros: Trusted name, flexible online and in-person payments, integrates well with e-commerce.

  • Cons: Can place temporary holds on large or new accounts; sometimes delays large withdrawals.

  • Hold time: Instant transfer available (with fee), or 1–3 business days standard.

Venmo / Zelle / Bank Transfer

  • Pros: Instant, no transaction fees, great for established relationships.

  • Cons: Limited buyer protection, not everyone is comfortable with this method.

  • Use case: Better for direct repeat clients than for gallery settings or new collectors.

In my gallery, we use a mix of platforms, but we always have a backup in case one runs into issues. Ultimately, what matters most is having a system in place that you’re comfortable with—and that your clients trust.


A Simple Script for Payment Conversations

Many artists aren’t sure how to talk about payment preferences with collectors. Here’s a straightforward script you can adapt:

“We accept all major credit cards, PayPal, and bank transfers—whatever’s easiest for you. Most clients prefer to use their card for points or tracking, but if you’d like to do a transfer, I can help with that too.”

That’s it. No apology for fees. No awkwardness. Just confidence and clarity.

And if you do have a preferred method—say, you’d rather avoid PayPal’s hold periods—you can guide the collector with a slight adjustment:

“We accept all cards and PayPal, but most of our clients use a credit card—it’s usually the fastest and easiest for both of us.”

You’re making it easy. You’re staying professional. And you’re keeping the sale moving forward.


The Bottom Line

Credit card fees aren’t fun—but neither is missing a sale.

If a buyer is ready, don’t let the payment process slow things down. Build processing fees into your pricing, choose a reliable platform, and make sure you’re ready to take payment wherever the opportunity arises.

The goal isn’t to minimize fees—it’s to maximize sales. And in that light, a 3% card fee is a small price to pay for growing your art business.

About the Author: Jason Horejs

Jason Horejs is the Owner of Xanadu Gallery, author of best selling books "Starving" to Successful & How to Sell Art , publisher of reddotblog.com, and founder of the Art Business Academy. Jason has helped thousands of artists prepare themselves to more effectively market their work, build relationships with galleries and collectors, and turn their artistic passion into a viable business.

11 Comments

  1. I’ve always been told that CC companies don’t allow people to charge the fees. However, recently I’ve been charged a flat fee for using my credit card for purchase, and I’ve also been charged a percentage. Could you clarify that for us, please?

    1. I always add local tax to my sales but never the credit card fee as that is considered a cost of doing business for me. Personally, I would not feel comfortable passing that on to my customer. Price your work to figure in credit card fees along with other expenses. Do what feels right for you. You want the sales experience to be positive for both you and your customer. Remember you want buyers to become collectors!!

    2. Kathy, rules around passing on credit card fees can vary by state and by the policies of the card processors. That said, I don’t recommend adding a surcharge anyway—personally, I’m always irritated when a business does it, so I wouldn’t want to be one of those businesses.

  2. I agree – make things easy for your customers. Not being a mainstream artist – I need every sale and would hate to loose one due to payment method. I have square, pay pal, venmo and Zelle. Most customers use their credit cards. An interesting fact I learned while at the Beverly Hills Art Fair- practically all the younger buyers used Zelle and Venmo. This was not a one off but happened 3 years running with the 20’s – 30’s age group. I was glad I had these two platforms as it is quite popular with that age group. So sign up with your bank for these two.

    1. Having multiple payment options, including those popular with younger buyers, is a great way to remove friction from a sale. Your experience at the Beverly Hills Art Fair really underscores how important it is to meet customers where they are in terms of payment preferences.

  3. Thank you, Jason for puting this out.
    I’m nearly complete on my website rebuild which will include a commerce area. I’m also with an Art Business Coach that is well aware of Jason and glad I have that background. (me too!)
    I honestly have operated on the notion that a card is how sales is transacted because as a customer, that’s how I function. Simple and Easy.
    The local convenience store (gas station) and they have a “cash discount) which tells me, their business is card-based.

    I will gladly absorb 3% if it means closing a sale.

    1. Stephen, I agree completely—credit cards are the norm now, and making it easy for someone to buy is worth far more than the small percentage in fees. Sounds like your website update will put you in a great position to capture those sales

  4. I’ve always accepted cc. Some of my biggest sales have been purchased with AmEx. I have added the fees into my pricing so I don’t have the “fee” talk. I remember when we had the paper receipts we would turn into the bank with our deposit. Things are so much easier now.

    1. Margaret, that’s exactly the right approach—bake the cost into your pricing and avoid making it a point of negotiation. It keeps the transaction smooth and focuses the conversation where it belongs: on the art.

  5. I started taking credit cards in my business in the mid 90’s. I never looked back. At that time it was for high dollar specialized computer equipment. The fees were offset by the increase in volume. I’ve never charged for the fees and I’ve found that it depends on where you are. Living in Washington, most everyone charges the credit card fee, which frankly I find insulting. Many also tell you how the fees have gone up. Having been a merchant for many years, I can say it’s BS. I agree, making a sales as easy as possible for the buyer is the best thing you can do.

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