VIDEO: A Moment in Art History: Impression, Sunrise – how Monet’s title became a joke and then a movement

When Monet chose to use the word “Impression” in the title of his painting of the port of Le Havre, he had no idea that it would transform into a descriptor of his work and the work of his artistic peers. First used as a criticism, “impressionism” has come to describe a revered movement.

Artwork in the background of this video: John Horejs landscapes – https://pinetop.xanadugallery.com/collections/john-horejs

About the Author: Jason Horejs

Jason Horejs is the Owner of Xanadu Gallery, author of best selling books "Starving" to Successful & How to Sell Art , publisher of reddotblog.com, and founder of the Art Business Academy. Jason has helped thousands of artists prepare themselves to more effectively market their work, build relationships with galleries and collectors, and turn their artistic passion into a viable business.

11 Comments

  1. I love these “moments” so thank you for producing them. The Impressionists certainly changed the course of art making and challenge us to really look at the world.They’ve very much impacted my method of art making.

  2. Thank you, Jason, for this wonderful video on Monet. As a tight representational painter, Monet’s paintings are therapy. His loose work encourages me to loosen up. Monet’s courage to paint outside the traditional box and his unrelenting desire to paint in the style he did in spite of his difficult circumstances is inspiration to me. Trailblazers have to be courageous and Monet is a great example.

  3. Thank you for this informative video on Monet. Monet’s impressions have had a great impact on my work, both in my painting and teaching personal expression.
    When I first came across some original paintings by the impressionists in museums I was mesmerized by the moving brushwork and play of colour that seemed to shimmer with delight. The “feeling” that was captured moved me more than the view/subject depicted. So I sought to find this entity in painting by painting outdoors as much as possible to see if it was the landscape that inspire it. What I found is this:
    The delight expressed in moments of painting En Plein Air is a unique aspect that once attempted and discovered by an artist impels a desire to revel in it, and no criticisms tends to matter.
    The artist’s interpretation of the scene may or may not be understood or appreciated. However, the artist knows there was something special granted through the emotional exchange that happened on the canvas and often wishes to share this (regardless if the piece may seem unfinished).

    It is through such works that we come to know the magical experience made real through art.
    So I thank the impressionist for giving their “impressions” to us ….Simply inspirational!

  4. I love your moments in art history. Thank you. Understanding history is very important for any profession!
    I think Monet’s massive popularity today is a fantastic reminder to any artist that what really matters in that they believe in what they are doing, and in doing what they do with their whole soul. People will feel and see that eventually.

  5. What effect, you ask? This space is too small but I will share the “second encounter.”
    I was a student in art school. I had just finished a gruelling and horrible art history course.
    I had “seen” Monet’s paintings in a darkened auditorium. Being a freshman, I lived in an 18″ x24″ world.
    That summer I went to NYC and went to MOMA. It was a day that would change my life.
    Coming around a corner, I entered the room where the three “Waterlilies” were. If the bench wasn’t there to catch me, I would have literally hit the floor. The three paintings were massively huge measures in feet not inches. I could get close and see that one minor little alizarin crimson stroke wouldn’t fit into my 18 x24″ world.
    I remember thinking something like “So, THIS is what Art is!” My conceptual world had been well and truly shattered and I have never been the same since.
    (Later I would learn that Monet was slowly going blind from as early as the 1890’s and his canvasses increased in size as he could see less and less. I spent a semester with color and light in art school and the instructor had us focus on the effect of colors in context with each other. Impression:Sunrise figured large. It wasn’t until I taught art history that I conducted an experiment that revealed just how incisve and precise Monet had been with his colors. Again, my life changed.)

  6. We used to visit the waterlilies at the Cleveland Museum of Art, coming in tn the back way, with a nod to Elegy to the Spanish Republic #6, I believe, then on into the room where a long bench gave us a place to sit and visit with the colors of the Monets. I think there were two.

    We enjoyed your talk on Monet’s life, and the painting. The colors are wonderful.

    But in your roundup of the “Impressionists,” there was no mention of Berthe Morisot.

Leave a Reply

Your email address will not be published. Required fields are marked *