In this week’s session we meet Oracle, Arizona artist  M.E. Price and talk about his stylized landscape paintings. Price uses bold colors to create strong compositions, and often uses a…

In this week’s session, I respond to questions on certificates of authenticity, pricing, artwork titles, signing artwork, the financial realities of the art market, and more! You can view the…

In this week’s session we meet Pennsylvania artist  Suzanne Stoltenberg and talk about her figurative paintings. We discuss the differences between portraiture and figurative work and the challenges and opportunities…

In this week’s session we meet New York artist Doug Motel.  Having grown up by the Atlantic ocean and studied watercolor as a youth, Doug has recently created a new…

In this week’s session we meet Canadian artist June Harman and talk about a new body of work she is developing that come out of her study of paleolithic cave…

In this week’s session I respond to questions on certificates of authenticity, pricing, artwork titles, signing artwork, the financial realities of the art market, and more! Resources for this Session…

In this week’s session we do something a little different in focusing on the work of Edward Hopper. We hear Hopper talking about his work in a recording and talk…

In this week’s session we feature North Carolina artist Kari Feuer and critique her abstracted landscape art. We will talk about finding consistency among disparate styles and subjects, pricing, and…

In this week’s session I take critique group artists’ questions about a variety of subjects, including, how to brand your art, cultural appropriation, the pros and cons of showing your…

In this week’s session we meet Colorado artist Tanis Bula and critique her floral watercolors. We talk about the importance of consistency in framing and pricing, the viability of selling…