If you’ve got two art events coming up in close succession—a studio tour followed by a gallery exhibition, or a local show followed by a larger juried one—you might find yourself asking: How do I market both effectively without one undercutting the other?

The temptation is to promote them together to save time or create synergy. But if your goal is to make sales at both events, bundling your messaging can lead to confusion, distraction, or worse—buyers holding off in anticipation of the next thing.

Here’s how to approach multi-event promotion strategically, so you can maximize exposure and sales for each opportunity.

1. Treat Each Event Like It Stands Alone

No matter how close your events are on the calendar, your marketing should treat them as independent experiences. Each event likely has a unique location, theme, audience, and objective. Your job is to craft messaging that reflects that.

For example:

• For a studio tour, emphasize the chance to meet you, see your process, and collect work directly from your space. Make the call-to-action about now—not what’s coming next.

• For a gallery exhibit, shift the focus to the curation, venue prestige, or thematic elements. Create anticipation with language like “new body of work” or “collaborative experience.”

Keep the narrative tight and don’t let one event become a trailer for the other.

2. Avoid the “Procrastination Effect”

Here’s a common mistake: mentioning your second event while trying to promote the first, thinking it will build momentum.

What often happens instead is this: a potential collector sees your post, thinks, “I’ll wait and see more at the next one,” and then never comes back.

If you want to drive action now, don’t give your audience a reason to wait. Every piece of promotional content should answer one question: Why should someone come to this event and engage right now?

3. Sequence Your Promotion with a Clear Timeline

Here’s a simple framework:

• Event A (earlier): Promote it exclusively until it wraps.

• Short break (1–2 days): Post a thank-you or recap of Event A.

• Event B (later): Begin promotion with fresh energy and clear messaging.

Even if the events are only a few weeks apart, this structure helps maintain clarity. If you must reference both, only do so in calendar overviews—never in primary calls-to-action.

4. Use Theobot’s Freeform Writer to Create Distinct Messaging

When you’re juggling multiple events, the last thing you want is to spend hours crafting different versions of your press release, social media posts, or newsletter copy.

The Freeform Writer tool in the AI app we developed, Theobot can help.

Just describe what you’re promoting, who your audience is, and what kind of messaging you need (event announcement, press release, Facebook post, etc.). Theobot will ask a few clarifying questions, then generate tailored language for you to use or refine.

It’s especially useful when:

• You want to promote two events without sounding repetitive

• You need a press release but don’t know where to start

• You’re pressed for time but still want your marketing to sound thoughtful and professional

You can try it for free at https://theobot.ai/

5. Focus on the Outcome You Want Most

Finally, clarify your goal for each event. Is it sales? Attendance? Exposure? Mailing list growth?

Your messaging should reflect that priority. For the studio tour, your goal might be to make direct sales. For the gallery show, it may be more about visibility and reviews. Shape your promotional tone accordingly.

In Summary

• Promote each event separately with its own message and timing

• Don’t treat one as a funnel for the next—especially if you want sales now

• Use tools like Theobot’s Freeform Writer to streamline your messaging

• Keep each event’s value clear, urgent, and self-contained

When handled with clarity and intention, back-to-back events don’t have to compete. They can each shine—and build real momentum for your art business.