The close of a show or open studio often feels like a finish line. You’ve poured time and energy into preparing, displayed your work, met people, and (hopefully) made sales. But the real magic often begins after the event, when the initial excitement is still fresh in the minds of those who stopped by your booth.
When we participated in the Scottsdale Art Fair, we discovered something surprising: our post-event follow-up generated as much revenue as our sales during the fair itself. That experience cemented for me that following up promptly and strategically is just as important as what happens on the show floor.
Why Post-Event Follow-Up Matters
When someone walks away from your booth with your business card—or better yet, after joining your mailing list—they’re in a heightened state of connection. They’ve just had a meaningful encounter with your work, and that impression fades quickly if not reinforced. A timely email or message helps bridge the gap between a passing interaction and a lasting relationship.
Think of it as carrying forward the energy of the event. You’re not chasing cold leads—you’re nurturing warm connections.
Thank-Yous with a Purpose
A simple “thank you” goes a long way. It shows respect and appreciation. But a thank-you alone doesn’t always motivate action. Pair your gratitude with a clear next step: a link to your website, an invitation to view a specific piece, or a special courtesy for new subscribers.
The balance is important—your tone should feel like appreciation first, opportunity second. Readers should sense they’re valued for engaging with your art, not just for what they might purchase.
Incentives Without Regret
Discounts and promotions can feel risky. Many artists worry about “training” buyers to wait for a sale. In practice, when handled sparingly, incentives don’t have to cheapen your work. We’ve seen collectors buy with a discount, then return months later to purchase again at full price.
The trick is in the framing. Rather than retroactively devaluing what someone just bought, emphasize the next purchase. For example:
“Thank you for visiting! As a welcome, I’d like to extend a courtesy of 10% toward your next acquisition.”
This way, buyers who already purchased feel acknowledged, not undercut, and new buyers feel encouraged to act.
Experimenting with Offers
Every market is different, and every audience responds in its own way. Free shipping, a modest percentage off, or even a time-limited “thank you” code can all be effective. The point isn’t to find the perfect formula once and for all—it’s to test, track, and refine.
At the gallery, we’ve run limited promotions that boosted sales without cannibalizing future ones. The lesson? Controlled experimentation is worth it.
The Power of Urgency
Human nature leans toward procrastination. A collector may intend to purchase, but without a deadline, weeks can pass and the momentum fades. That’s why time limits matter.
For example:
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Launch the promotion the weekend after the event.
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Send one announcement email.
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Follow up with a “last chance” reminder a day before it ends.
That second message is often where the highest response comes. Urgency doesn’t mean pressure—it’s simply a way of helping people act on the excitement they already feel.
Building a Repeatable System
Each event is a test bed. What matters most is developing a system so follow-up becomes habit, not an afterthought. A thank-you template, a standard courtesy offer, and a reminder email schedule can all be prepared in advance. That way, after a show, you’re not scrambling—you’re executing.
Done consistently, this rhythm not only increases short-term sales but also builds long-term collector relationships.
Jason, Great Ideas and good input.
EVERY SINGLE Gallery I have sold with down to the plain old art center…….
NEVER gave me the contact of a purchaser, even when I requested it.
Hence a contact email list that doesn’t exist.
also THANK YOU !!!!!! for accepting my work in the online venue with your gallery.
May I make a “Sugguestion”?
Here goes, since I cannot afford Tier ONE NOR Tier TWO and only Tier Three……………..at $100.
I can’t afford it because I don’t sell much.
What if you worked it this way…….Tier ONE gets Front PAGE Five days a week, with Tier Two behind it on the Sixth day of the week,,,,,,,,,then Tier Three gets front Page on the Seventh DAY and……Because I dont ‘sell and I am on the back page,,,,,,I probably WON”T sell…………if you were to take my lead……………….everyone across the board gets a chance to SHINE……………….as it stands,,,,,,,,,,,,,I will always ride in the BACK OF THE BUS………………..It doesn’t seem Fair, I can’ t afford an upper level which means I probably won’t sell, which means I won’t be able to continue at Tier three and eventually Drop out…………I am disabled, the Gov’t gives me some $$ and I work a job only to the extent of what the Gov’t allows me to earn……..in the end it is not much………..I extended myself as far as I can and still pay my bills…………………………I can’t make you do as I request and I was thinking……..it would create more participants on your platform……….I did notice I don’t even exist on the feature page……….Because I a not tier one……………….the cycle of poverty keeps on going and persists.
My TWO Cents anyway.
Jason, Thank you for your continued support. I regularly have a drawing at my booth space. Thus, developing an email list. While I am not a whiz with an exponential following, I have over 500 on my list with over a 30% open rate on my emails.
Because my writing habits have persisted and persevered – I was exceeding the allowed number of free correspondences at Mail Chimp. Just about then, the good Lord dropped into my field of vision Substack. Now, instead of paying for an email service – it is free for both writer and reader. Further, it can be monetized for another income source. While I have had just a couple people “support my page” and writing thus far, it is a platform that inspires me to WRITE! It also allows me to be a bit more open / vulnerable with my content.
Substack began as a writers blog a while ago. My two books can be visible in the world of writing – along with my art adventures that are covered in these books. The books are published on Amazon KDP and make great purchase gifts. When someone buys a painting, they get a signed book! They have also sold at my booth spaces as they also make a great gift item.
Little by little, I hope to create more small books. They travel and plein air done while traveling will be included. France and now Italy. We visited Italy and have just moved across town. So, all of these ideas a well behind schedule. Such is life!
The move will eventually provide an on site studio in the back yard. Creating will return in full swing. God has already dropped a commission project in my lap. 5 paintings for someone’s home. What a blessing!
Enough for now. Thank you for all you do for us. Still an ArtSala user. Any updates coming to the whole platform?
Debra Vance
San Angelo, TX