As an artist, receiving an inquiry from an interior designer or art consultant can be exciting, but it often comes with a moment of hesitation. The question inevitably arises: “Do you offer a discount to the trade?”
If you are newer to the business side of art, the term “to the trade” might sound like insider lingo designed to confuse you. In reality, it’s simply a professional way of asking if you offer special pricing to industry professionals like decorators, architects, and consultants.
The short answer should almost always be “yes.”
However, navigating these relationships requires understanding the customary rates, the strategic reasons behind them, and the potential pitfalls if you already have gallery representation.
The Customary Rate
The most common first question is, “How much of a discount should I offer?”
While there is no universal law, the customary industry standard for trade discounts hovers between 15% and 20% off the retail price.
How the designer uses this discount varies. Some charge their clients hourly fees and pass the discount along as a perk of working with them. Others retain the discount as part of their income for sourcing the artwork. Ultimately, how they handle it on their end shouldn’t concern you; your focus is on establishing a professional baseline for the relationship.
A Shift in Perspective: An Investment, Not a Loss
It is natural to feel a pinch when giving away 20% of your sale price. It can feel like a significant hit to your bottom line.
However, it is crucial to shift your perspective from viewing this as a “loss” to viewing it as an investment.
When dealing with individual collectors, your goal is often to maximize the profit on a single sale. When dealing with design professionals, your goal is to secure repeat business. A designer doesn’t just have one empty wall to fill; they have an entire career’s worth of empty walls across dozens of future clients.
If you are debating between offering 15% or 20%, consider the strategic advantage of the higher tier. You want to incentivize that consultant to return to you for their next project. Offering 20% creates goodwill and makes you an attractive, easy-to-work-with resource for them. It is an investment in securing a long-term champion for your work.
The Unique Influence of the Designer
Why are these relationships so valuable? Because art consultants and interior designers possess a unique type of influence over buyers that even galleries sometimes lack.
Many high-end homeowners feel tremendous anxiety about selecting art for their spaces. They fear making a mistake. They trust their designer to curate a cohesive aesthetic, and if that designer recommends your work, it validates the purchase in a way few other things can. The designer is an endorser, smoothing the path for a hesitant buyer to say “yes.”
Furthermore, by working with one designer, you aren’t just exposing your work to one person; you are effectively gaining access to their entire clientele base for years to come.
A Critical Caveat: Check Your Gallery Agreements
Before you agree to a trade sale, you must consider your existing business relationships. If you are represented by a gallery, you likely have a contract containing an “exclusivity clause” or a “radius clause.”
These clauses often restrict you from selling directly to clients within a certain geographic area surrounding the gallery. If a designer approaches you from within your gallery’s territory, selling to them directly and cutting out the gallery could be a breach of contract.
In these scenarios, the professional approach is to direct the designer to your gallery. You can often work with your gallerist to ensure the trade discount is honored, splitting the remaining commission based on your consignment agreement. Always respect the gallery relationship first.
Taking Action
Don’t wait passively for designers to find you. If you want to tap into this market, treat design professionals as a distinct segment of your audience. Add them to your mailing list. Periodically update them with physical mailers or high-quality digital portfolios of your newest available work.
By professionally adopting “trade” practices, you open the door to a powerful, recurring sales channel that can significantly broaden the reach of your art.
Join the Discussion
Have you successfully partnered with interior designers or art consultants to sell your work? I’m curious to hear if you have found that offering the trade discount led to repeat business over time, or if you have found it difficult to navigate these relationships. Share your experiences working with “the trade” in the comments below.
When I think about “to the trade,” I inevitably think about the artist who had an interior designer write herself a discount (I think it was 40%) without even asking if the artist’s price was “retail” or “wholesale.” It’s significant to me, because I’m pricing my (retail) art based on materials plus and average completion time at $5/hour, and add enough to cover the 30% gallery cut, and my gallery owner doesn’t think I should raise that (despite having a mobileist that puts a $500 price tag on a collection of chopped-up medicine bottles.)
Sometimes ago, I was offering my works to a designer for staging purposes free of charge. I was responsible for transportation and installation and I will get exposure. However, once I started selling, all of the sudden she wanted 30% commission. It turned out, I was so o naive cause all I had to do is raised the prices on the pieces being displayed.
I did once when I was painting murals. I’m starting a new series that seems like it would go with the style of that same client we served. Thank you for these insights. The work I do now would be even better suited.
I never made the connection between “an individual artist” and “the trade” until this article. I was always uner the impression that “to the trade” was like this established business. With that mindset I never went any further. Sometimes you can be oh-so-half-smart and let mental notions keep you off the path.
Thank you for clearing up an old mystery.
SA 17 JAN 2026
At 75 years old, I am certainly not a “new-b”, however, in the art world the term certainly applies. To me what this translates as is that the artist is exchanging a piece of his work for leverage in the marketplace represented by the agent making the request. Depending upon the segment of the marketplace that agent represents, the potential exposure & ROI on that initial 20% +/- investment may be substantial. Sure, there will be factors to take into account, any of which could suck the air right out of the deal. But is the potential worth the risk … more often than not, a bit of research into the agent and the marketplace she/he represents likely can even the odds. And it seems to me the more established as an artist one is, the less of a risk such a deal represents. In any case, certainly such an offer/request is worth consideration. In my case, I’d confidently take such a risk.
From having owned small businesses and working for Fortune 500 companies, I quickly learned that buyers LOVE a discount. They will eventually come back. I price my work to cover commissions plus any “to the trade” and any reasonable offer. People love a bargain. It’s a part of life.
I also don’t keep a tight rein on my pricing but I never give it away or give a steep discount.
It’s how I do business and I seel enough that the IRS keeps an eye on me. 🙁
If the designer is doing all the selling, transportation and shipping, then they are another gallery, with perhaps different overhead factors, so a discount is equivalent to the gallery commission.