Conventional art world wisdom says that your storage room is just that: a place to stack, wrap, and forget any unsold pieces until their day returns—or, more often, they stay out of sight and mind for years. Many artists and gallerists shy away from displaying inventory in non-traditional spaces, like hallways, offices, bathrooms, or even back-of-house areas. The prevailing logic: “It undermines the work’s value.” But does stashing art away do more harm than good?
A Contrarian View: Use Your Walls, Even the Odd Ones
The most effective storage for unsold art is a place where it has a chance to be seen. Over the years, I’ve seen more than one collector “discover” and purchase a piece simply because it was hung on a back hallway or even in a gallery restroom—areas where, by all accounts, display is ‘off limits.’ While some in the art world frown on this, artists miss opportunities by letting unsold works languish in bins, closets, or stacks.
The Upsides: Visibility Sells
- Serendipity works: People are curious. When collectors wander into less typical corners (with permission and basic tidiness!), they feel like they're getting a behind-the-scenes look and often connect with works they wouldn’t otherwise see. Some of my favorite sales stories start with, "I wasn’t planning to buy anything, but then I saw…"
- Inventory rotation: Keeping your art visible—rotating it regularly from wall to wall—helps you avoid the pitfall of "out of sight, out of mind." Whenever you refresh your visible stock, frequent visitors feel a sense of novelty, and works don’t fade into obscurity.
- Creative presentation: Displaying art in functional spaces invites viewers to imagine the work in a home or office setting. Bathrooms, kitchens, and transition areas are where people actually live with art. If a collector “discovers” your painting above a desk or in a powder room, you’re making it easier for them to envision it in their own life.
The Downsides (and How to Manage Them):
- Humidity and damage risks: Spaces like bathrooms can be problematic if not properly ventilated. Only display durable, well-sealed works in these areas, and keep your most fragile or valuable pieces away from moisture and temperature swings.
- Perceived value: This is the big concern for many—if a painting is displayed in a utilitarian space, will collectors still see it as special? My experience says yes, as long as the environment is cared-for and the artwork is rotated regularly. Presentation is important; don’t overcrowd, and keep works hung with professional hardware.
- Organization challenges: When moving works into and out of these spaces, track your inventory diligently. Don’t let pieces get lost, damaged, or forgotten. A simple spreadsheet, labeled backs, or even a photo log can prevent confusion.
Myth vs. Reality:
- Myth: "Art displayed in a bathroom or back office will never sell."
- Reality: I've seen multiple sales from these exact spots. The thrill of 'discovery' is powerful—collectors take pleasure in spotting a piece before the crowd does.
- Myth: "Only the gallery's main walls do justice to your best work."
- Reality: Purposeful curation matters more than location. A beautifully framed piece is eye-catching in almost any context, and well-lit, tidy secondary areas can host excellent art.
Takeaway:
Don't let storage rob your inventory of its chances to shine. Displaying art throughout your space may not always follow tradition, but it keeps your work working for you. Be intentional: Rotate art regularly, keep alternative spaces in mind for durable works, and see storage as an extension of your gallery or studio—not a dead end.
Question:
Where have you made your most surprising sale—or received unexpected feedback—simply because a collector encountered your art in an unusual place? How are you using all of your available spaces to keep your inventory visible?
While a part of a large coop gallery, I found that hanging in spaces where people were confined for a period of time really worked. Like the restrooms! The hallway beside the elevator. The wall on the stairway landing. Obviously, these weren’t the prime spots, but they were good sales spots, and I knew the items got seen!
I was asked to contribute a painting to display in a new coffee shop in town. I was disappointed to find that my painting was hung in the bathroom. A friend tried to cheer me up saying that the Mona Lisa also spent part of her life in the bathroom (Napoleon’s bathroom). After a month I got an email from a potential buyer. I brought a replacement painting to the meeting. Our talk disclosed the potential buyers involvement in a local property that was destroyed to build a new Senior Living center. It just happened that I painted the destroyed property during a recent plein air event. The buyer went home with both of my paintings that day,