Shipping Art Internationally: Practical Strategies for Smooth, Stress-Free Delivery

International sales can transform an artist’s career, but shipping artwork across borders often feels daunting. I often hear questions about customs forms, tariff codes, high carrier quotes, and the best way to ensure artwork arrives safely and on schedule. Let’s break down a practical, step-by-step approach to navigating these challenges from a gallery-owner’s perspective.

1. Accurate Customs Declarations: Minimize Headaches

When shipping artwork internationally, accuracy is your ally. Always clearly specify that the shipment contains original artwork. For customs declarations:

  • Use the correct harmonized tariff code—most countries use a number akin to 9701.10 (paintings, drawings, and pastels; original).
  • Enter the true (wholesale or agreed) value of the artwork, and choose "for resale,'' "for exhibition,'' or "temporary export," as appropriate. This can sometimes prevent unnecessary duties when the work is unsold or returning.
  • Never fudge the description or value—border agents see far more packages than you, and penalties for mislabeling can be stiff.

2. Navigating Duties & Taxes

Most shipments between the US and Canada, and within the EU, are fairly routine for original art, with customs agents generally familiar with the paperwork. Typically, duties are minimal or none, but the recipient may owe sales tax or VAT. If you’re sending work on approval, for an exhibition, or for potential resale to a gallery, note this clearly. Be prepared for the recipient to pay any required inbound taxes or fees.

3. Choosing the Right Shipping Service

You’ll find dramatic differences in cost and delivery times, especially for international destinations:

  • Postal Services (USPS, Canada Post, etc.): Cost-effective, often much cheaper for smaller works, but watch out for maximum size limits. Double-box and use double-walled cardboard to minimize risk of damage.
  • Major Couriers (FedEx, UPS, DHL): Reliable but can be expensive, especially for large or heavy works. DHL often offers better international rates than UPS or FedEx, particularly in Europe.
  • Freight Brokers: If regular shipping quotes make your eyes water, brokers can sometimes find more competitive rates, especially for larger deliveries.
  • Get multiple quotes; costs for the same package can vary wildly.

4. Common Mistakes to Avoid

  • Underestimating packaging—double box and use sturdy materials so unforeseen jostles or a damp delivery day don’t ruin your work.
  • Overpromising shipping times—pad your delivery timeline, so a customs delay or weather event doesn’t erode your collector’s confidence.
  • Neglecting insurance—opt for shipping insurance, and document your packaging and artwork with photos.

5. Real-World Cost Example

I’ve seen situations where one carrier quoted $1000 to ship a mid-sized painting to Europe, while the local post office could do it for $50—always check all options! Just remember, cut-rate shipping often requires better packing.

6. Getting Art Back Home

If a collector (or you) is transporting a piece by car or carrying it on a plane, declare it properly at the border. Some artists still hand-carry art and drive, which is viable for lower-value work—just be prepared to answer customs questions about the artwork’s value and origin.

Takeaway:

Shipping internationally isn’t always simple, but by being thorough and detail-oriented—double-checking customs codes, packing well, getting multiple shipping quotes, and setting realistic delivery expectations—you can open your work to a global market without unnecessary worry.

Question for Readers:

What’s your biggest challenge or most surprising lesson from shipping artwork internationally? Any tips or cautionary tales to share?

About the Author: Jason Horejs

Jason Horejs is the Owner of Xanadu Gallery, author of best selling books "Starving" to Successful & How to Sell Art , publisher of reddotblog.com, and founder of the Art Business Academy. Jason has helped thousands of artists prepare themselves to more effectively market their work, build relationships with galleries and collectors, and turn their artistic passion into a viable business.

8 Comments

    1. I use Parcel Monkey. Much cheaper. Also I never ship USPS. They take forever to deliver. The last time I used them, it took a full month to get it from Houston to NYC. They shipped it all over the country before dropping it at NYC. UPS is my go-to.

  1. I’ve shipped overseas many times. Mostly the UK but also Hong Kong and Singapore. I have a sure-fire method for secure packing: sheets of foam. Get it at Home Depot and the rest. Half inch is good. For ease of hauling, I get insulation for garage doors. Never had an issue.
    One thing a lot of people don’t know is include a Declaration of Art with the Customs Invoice. If the art is less than 50 years old, it should not be charged customs.

  2. Packaging is important if shipping into europe via standard ups, fed x etc couriers as lightduty or off size boxes are ripped to shreds in the freight handling warehouses that are fully automated. Shipping exhibitions into the uk can be problematic in that the entry taxes are presumably refundable for art that is unsold and left the country. In reality you will never live long enough to go through the beurocratic hoops to recover your funds so either write it off from the start or make arrangements for the art to remain in the uk with dealers, agents, museums etc. the gst charges are a one way street.
    Full exhibition shipments into Europe , uk or Asia must have full documentation as to origins,value show schedules etc or expect that it will be held up for inspections continually EVERY time that it travels. Some jurisdictions will simply not give you your exhibition back.
    If you are connected enough to deal with intl corporations have them handle, sponsor or endorse the shipping process as customs will view it in most cases as not worth the effort to cause issues.
    having had operations globally there are ways and methods in each country to make things go smooth. Ask around to the arts communities and do your research or expect some nasty surprises.

  3. You haven’t mentioned shipping glazed work. What are your thoughts/experiences of this because couriers don’t cover it in their insurance policies.

  4. Back in the 1990s, I had a small, sideline business creating hand-wrought calligraphy. Somehow, a woman in England discovered me. She claimed no one in England did calligraphy anymore, and she wanted a hand-wrought 14″x11″ piece of calligraphy done as a gift. I shipped it via US Postal Service (which was the best deal overall). The price I quoted her included the cost of the artwork, shipping, and insurance. When the piece arrived, they charged her an additional, outrageous fee. (It was so long ago, I forget the amount.) Supposedly it had to do with international tariffs and such. I’d never shipped internationally before, so I didn’t know. Neither did she. Luckily, she was fine with it and, after seeing the finished work, said it was worth the extra charge.

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